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Modern Criticism

504. Adams, Norman, “Bram Stoker”, Leopard 2 (22 June 1976): 22-3.

505. Aguirre, Manuel, The Closed Space: Horror Literature and Western Symbolism, Manchester: Manchester University Press, 1990.

506. Appleby, Robin S., “Dracula and Dora: The Diagnosis and Treatment of Alternative Narratives”, Literature and Psychology 39 (1993): 16-37.

507. Arata, Stephen D., “The Occidental Tourist: Dracula and the Anxiety of Reverse Colonization”, Victorian Studies 33 (1990): 621-45.

508. Arter, Janice, Feminist Reflections on Stoker’s Heroines, Chicago: Adams/Count Dracula Fan Club, 1986.

509. Astle, Richard, “Dracula as Totemic Monster: Lacan, Freud, Oedipus and History”, Sub-Stance 25 (1980): 98-105.

510. Auerbach, Nina, “Magi and Maidens: the Romance of the Victorian Freud”, Critical Inquiry 8 (1981): 281-300.

511. Auerbach, Nina, Our Vampires, Ourselves, Chicago: University of Chicago Press, 1995.

512. Ayles, Daphne, “The Two Worlds of Bram Stoker”, Dublin Magazine 9 (1971-2): 62-6.

513 Barclay, Glen St.John, Anatomy of Horror. The Masters of Occult Fiction, London: Weidenfeld and Nicholson, 1978.

514. Beagle, Donald, “Eliot’s The Waste Land’, Explicator 47/3 (1989): 40-1. [Analyses Dracula as a source for The Waste Land]

515. Bentley, C.F., “The Monster in the Bedroom: Sexual Symbolism in Bram Stoker’s Dracula”, Literature and Psychology 22 (1972): 27-34.

516. Bierman, Joseph S., “The Genesis and Dating of Dracula from Bram Stoker’s Working Notes”, Notes and Queries 222 (1977): 39-41.

517. Bierman, Joseph S., “Dracula: Prolonged Childhood Illness and the Oral Triad”, American Imago 29 (1972): 186-98.

518. Blinderman, Charles S., “Vampurella: Darwin and Count Dracula”, Massachussetts Review 21 (1980): 411-28.

519. Bonewits, Wanda, “Dracula, the Black Christ”, Gnostica 4 (1975): 28-9.

520. Boone, Troy, “‘He is English and Therefore Adventurous’: Politics, Decadence and Dracula”, Studies in the Novel 25 (1993): 76-91.

521. Botting, Fred, “Dracula, Romance and the Radcliffean Gothic”, Women’s Writing: the Elizabethan to Victorian Period 1 (1994): 181-201.

522. Botting, Fred, Gothic, London: Routledge (The New Critical Idiom), 1996, pp. 144-54.

523. Bouet, Jacques, Dracula, le vovoide et le vampire, Paris: Univ. Paul Valery, 1985.

524. Brederoo, N.J., “Dracula in Film”, in Valeria Tinkler-Villani and Peter Davidson, eds., Exhibited by Candlelight: Sources and Developments in the Gothic Tradition, Amsterdam: Rodopi, 1995, pp.271-81.

525. Brennan, Matthew C., “Repression, Knowledge and saving Souls: The Role of the ‘New Woman’ in Stoker’s Dracula and Mumau’s Nosferatu”, Studies in the Humanities 19 (1992): 1-10.

526. Broich, Ulrich, “Charakterkonstitution und Modelle fur die Erklarung menschlichen Verhaltens im englischen und franzoischen Roman dies 19 jahrhunderts”, Poetica: Zeitschrift fur Sprach- und Literaturwissenschaft 25 (1993): 338-59.

527. Buican, Denis, Dracula et ses avatars: de Vlad I’Empaleur a Staline et Ceaucescu, Paris: Espace Europeen, 1991.

528. Byers, Thomas B., “Good Men and Monsters: The Defenses of Dracula”, Literature and Psychology 31 (1981): 24-31.

529. Carlson, M.M., “What Stoker Saw: The History of the Literary Vampire”, Folklore Forum 10 (1977): 26-32.

530. Carter, Margaret L., Shadow of a Shade: A Survey of Vampirism in Literature, New York: Gordon, 1975.

531. Carter, Margaret L., ed., Dracula. The Vampire and the Critics, Ann Arbor: U.M.I. Research, 1987.

532. Carter, Margaret L., ed., The Vampire in Literature. A Critical Bibliography, Ann Arbor and London: U.M.I. Research, 1989.

533. Casquel, Miguel G., Dracula: mito y realidad del vampirismo, Madrid: Maisal, 1979.

534. Case, Alison, “Tasting the Original Apple: Gender and the Struggle for Narrative Authority in Dracula”, Narrative 1 (1993): 223-43.

535. Case, S.E., “Tracking the Vampire”, Differences. A Journal of Feminist Cultural Studies 3/2 (1991): 1-20.

536. Coats, Daryl R., “Bram Stoker and the Ambiguity of Identity”, Publication of the Mississippi Philological Association (1984): 88-105.

537. Copjec, J., “Vampires, Breast Feeding and Anxiety”, October 58 (1991): 25-43.

538. Copper, Basil, The Vampire in Legend and Fact, New York: Citadel, 1973.

539. Cornwell, Neil, The Literary Fantastic from Gothicism to Postmodernism, Brighton: Harvester Wheatsheaf, 1990.

540. Craft, Christopher, “‘Kiss Me with Those Red Lips’: Gender and Inversion in Stoker’s Dracula”, Representations 8 (1984): 107-33; rpt in Elaine Showalter, ed., Speaking of Gender, New York: Routledge, 1989, pp.3 lb-242.

541. Cranny-Francis, Anne, “Sexual Politics and Political Repression in Bram Stoker’s Dracula”, in Clive Bloom, Brian Docherty, Jane Gibb, and Keith Shand, eds., Nineteenth Century Suspense: From Poe to Conan Doyle, Basingstoke: Macmillan, 1988, pp.64-79.

542. Croley, Laura Sagolia, “The Rhetoric of Reform in Stoker’s Dracula. Depravity, Decline and the Fin de Siecle ‘Residuum’”, Criticism: A Quarterly for Literature and the Arts 37/1 (1995): 85-108.

543. Cusick, Edmund, “Stoker’s Languages of the Supernatural: A Jungian Approach to the Novels”, in Victor Sage and Allan Lloyd Smith, eds., Gothick. Origins and Innovations, Amsterdam: Rodopi, 1994, pp. 140-9.

544. Dalby, Richard, Bram Stoker: A Bibliography of First Editions, London: Dracula, 1983.

545. Dalby, Richard, “The Jewel of Seven Stars”, in Stephen Jones and Kim Newman, eds., Horror: 100 Best Books, London: New English Library/Hodder and Stoughton, 1992, pp.81-5.

546. Daly, Nicholas, “Irish Roots: The Romance of History in Bram Stoker’s The Snake’s Pass”, Literature and History 4/2 (1995): 42-70.

547. Demetrakopoulos, Stephanie, “Feminism, Sex Role Exchanges, and Other Subliminal Fantasies in Bram Stoker’s Dracula”, Frontiers: A Journal of Women’s Studies 2 (1977): 104-13

548. Denman, Peter, “LeFanu and Stoker: A Probable Connection”, Eire-lreland 9 (1974): 152-8.

549. Dowse, Robert E., and Palmer, David, “Dracula. The Book of Blood”, The Listener 7, March 1963.

550. Drummond, James, “Bram Stoker’s Cruden Bay”, The Scots’ Magazine, April 1976: 23-8.

551. Drummond, James, “Dracula’s Castle”, The Weekend Scotsman, 26 June 1976: 1

552. Dukes, Paul, “Dracula: Fact, Legend and Fiction”, History Today 32 (1982): 44-7.

553. Dyer, Richard, “Children of the Night: Vampirism as Homosexuality, Homosexuality as Vampirism” in Susannah Radstone, ed., Sweet Dreams: Sexuality and Gender in Popular Fiction, London: Lawrence and Wishart, 1988, pp.47-72.

554. Faig, Kenneth W., “About Bram”, Romantist 4-5 (1980-1): 39-40.

555. Feimer, Joel N., “Bram Stoker’s Dracula. The Challenge of the Occult to Science, Reason and Psychiatry” in Michelle Langford, ed., Contours of the Fantastic: Selected Essays from the Eighth International Conference on the Fantastic in the Arts, New York: Greenwood, 1994, pp.165-71.

556. Finne, Jacques, Bibliographie de Dracula, Lausanne: Editions l’Age d’Homme, 1986.

557. Florescu, Radu, and McNally, Raymond T., The Complete Dracula, Acton MA: Copley, 1992.

558 Fontana, Ernest, “Lombroso’s Criminal Man and Stoker’s Dracula”, Victorian Newsletter 66 (1984): 25-7.

550. Frayling, Christopher ed., The Vampyre, London: Gollancz, 1978.

500. Frayling, Christopher, “Just a Kiss at Bedtime”, Review Guardian, 14 Nov 1981: 23-4.

561. Frayling, Christopher ed., Vampyres. Lord Byron to Count Dracula, London: Faber and Faber, 1991.

562. Fry, Carrol L., “Fictional Conventions and Sexuality in Dracula”, Victorian Newsletter 42 (Fall 1972): 20-2.

563. Gagnier, Regenia, “Evolution and Information, or Eroticism and Everyday Life, in Dracula and Late-Victorian Aestheticism”, in Regina Barrecca, ed., Sex and Death in Victorian Literature, Basingstoke: Macmillan, 1990, pp. 140-57.

564. Garnett, Rhys, “Dracula and The Beetle: Imperial and Sexual Guilt and Fear in Late Victorian Fantasy”, in Rhys Garnett, and R.J. Ellis, eds., Science Fiction Roots and Branches: Contemporary Critical Approaches, New York: St. Martin’s, 1990, pp.30-54.

565. Gattegno, Jean, “Folie, Croyance, et Fantastique dans Dracula”, Litterature 8 (1972): 72-83.

566. Geary, Robert F., “The Powers of Dracula”, Journal of the Fantastic in the Arts 4 (1991): 81-91.

567. Glover, David, “Bram Stoker and the Crisis of the Liberal Subject”, New Literary History 23 (1992): 983-1002.

568. Glut, Donald F., The Dracula Book, New Jersey: Scarecrow, 1975.

569. Greenway, John L., “Seward’s Folly: Dracula as a Critique of ‘Normal Science”’, Stanford Literature Review 3 (1986): 213-30.

570. Griffin, Gail B., “‘Your Girls That You Love Are Mine’: Dracula and the Victorian Male Sexual Imagination”, International Journal of Women’s Studies 3 (1980): 454-65.

571. Gutjahr, Paul, “Stoker’s Dracula”, Explicator 52/1 (1993): 36-8.

572. Haining, Peter, The Dracula Centenary Book, London: Souvenir, 1987; rpt twice as The Dracula Scrapbook, London: New English Library, 1976; and London: Chancellor, 1992.

573. Halberstam, Judith, “Technologies of Monstrosity: Bram Stoker’s Dracula”, Victorian Studies 36 (1993): 333-52, rpt in Sally Ledger and Scott McCracken, eds., Cultural Politics at the Fin de Siecle, Cambridge: Cambridge University Press, 1995, pp.248-66.

574. Harmening, Dieter, Der Anfang von Dracula Zur Geschichte von Geschichten, Wurzburg: Konigshausen & Neumann, 1983.

575. Hatlen, Burton, “The Return of the Repressed/Oppressed in Bram Stoker’s Dracula”, Minnesota Review 15 (1980): 80-97.

576. Havlik, Robert J., “Walt Whitman and Bram Stoker: The Lincoln Connection”, Walt Whitman Review 4 (1987): 9-16.

577. Hennelly, Mark M., “Dracula. The Gnostic Quest and Victorian Wasteland”, English Literature in Transition 20 (1977): 13-26.

578. Hennelly, Mark M., “Twice-Told Tales of Two Counts: The Woman in White and Dracula”, The Wilkie Collins Society Journal 2 (1982): 15-31.

579. Hennelly, Mark M., “The Victorian Book of the Dead: Dracula”, Journal of Evolutionary Psychology 13 (1992): 204-11.

580. Hennelly, Mark M., “The Victorian Book of the Dead: Dracula, Part III”, Journal of Evolutionary Psychology 15 (1993): 1-2.

581. Hollinger, Veronica, “The Vampire and the Alien: Variations on the Outsider”, Science-Fiction Studies 16 (1989): 145-60.

582. Hood, Gwenyth, “Sauron and Dracula”, Mythlore 52 (1987): 11-7.

583. Howes, Marjory, “The Mediation of the Feminine: Bisexuality, Homoerotic Desire, and Self-Expression in Bram Stoker’s Dracula”, Texas Studies in Literature and Language 30 (1988): 104-19.

584. Hughes, William, “‘This Mystifying Medley of Ancient Egypt and the Twentieth Century’: Bram Stoker and Popular Egyptology”, The Bram Stoker Society Journal 4 (1992): 37-45.

585 Hughes, William, “Profane Resurrections: Bram Stoker’s Self-Censorship in The Jewel of Seven Stars”, in Allan Lloyd Smith and Victor Sage, eds., Gothick: Origins and Innovations, Amsterdam: Rodopi, 1994, pp. 132-9.

586 Hughes, William, “‘Militant Instinct’: The Perverse Eugenics of Bram Stoker’s Fiction”, The Bram Stoker Society Journal 6 (1994): 11-9.

587. Hughes, William, “‘For Ireland’s Good’: The Reconstruction of Rural Ireland in Bram Stoker’s The Snake’s Pass”, Irish Studies Review 12 (Autumn 1995): 17-21.

588. Hughes, William, “‘So Unlike the Normal Lunatic’: Abnormal Psychology in Bram Stoker’s Dracula”, University of Mississippi Studies in English New Series 11-2 (1993-5): 1-10.

589. Hyles, Vernon, “Stoker, Frankenstein, Dracula, Sex, Violence and Incompetence”, Round Table of South Central College English Association 27 (1986): 7-8.

590. Irvin, Eric, “Dracula’s Friends and Forerunners”, Quadrant 135 (1978): 42-4.

591. Jann, Rosemary, “Saved by Science? The Mixed Messages of Stoker’s Dracula”, Texas Studies in Literature and Language 31 (1989): 273-87.

592. Johnson, Alan, “‘Dual Life’: The Status of Women in Stoker’s Dracula”, Tennessee Studies in Literature 27 (1984): 20-39.

593. Johnson, Alan, “Bent and Broken Necks. Signs of Design in Stoker’s Dracula”, Victorian Newsletter 72 (1987): 17-24.

594. Keats, Patrick, “Stoker’s Dracula”, Explicator 50 (1991): 26-7.

595. Kittler, Friedrich, “Dracula’s Legacy”, Stanford Humanities Review 1 (1989): 143-73.

596. Kline, Salli J., The Degeneration of Women. Bram Stoker’s Dracula as Allegorical Criticism of the Fin de Siecle. Mit einer Zusammenfassung auf deutsch, Avec un resume en francais, Rheinbach-Merzbach: CMZ-Verlag, 1992.

597. Leatherdale, Clive, Dracula. The Novel and the Legend. A Study of Bram Stoker’s Gothic Masterpiece, Wellingborough: Aquarian, 1985.

598. Leatherdale, Clive, Dracula. The Novel and the Legend. A Study of Bram Stoker’s Gothic Masterpiece. “Revised Edition”, Brighton: Desert Island, 1993.

599. Leatherdale, Clive, The Origins of Dracula. The Background to Bram Stoker’s Gothic Masterpiece, London: William Kimber, 1987.

600. Lidston, Robert, “Dracula and ‘Salem’s Lot. Why the Monsters Won’t Die”, West Virginia University Philological Papers 28 (1982): 70-8.

601. Llopis, Rafael, Historia natural de los cuentos de miedo, Madrid: Ediciones Jucar, 1974, pp. 169-79.

602. Lottes, Wolfgang, “Dracula & Co. Der Vampir in der englischen Literatur”, Archiv fur das Studium der Neueren Sprachen und Literaturen 220 (1983): 285-9.

603. MacFie, Sian, “‘They Suck Us Dry’: A Study of Late Nineteenth-Century Projections of Vampiric Women”, in Philip Shaw, and Peter Stockwell, eds., Subjectivity and Literature from the Romantics to the Present Day, London: Pinter, 1991, pp.58-67.

604. MacGillivray, Royce, “Dracula: Bram Stoker’s Spoiled Masterpiece”, Queen’s Quarterly 79 (1972): 518-27.

605. Marigny, Jean, Le vampire dans la litterature anglo-saxonne, Paris: Didier Erudition, 1985.

606. Marocchino, Kathryn, “Structural Complexity in Bram Stoker’s Dracula — Unravelling the Mysteries”, The Bram Stoker Society Journal 2 (1990): 3-21.

607. Martin, Philip, “The Vampire in the Looking-Glass: Reflection and Projection in Bram Stoker’s Dracula”, in Clive Bloom, Brian Docherty, Jane Gibb, and Keith Shand, eds., Nineteenth Century Suspense: From Poe to Conan Doyle, Basingstoke: Macmillan, 1988, pp.80-92.

608. Mayne, Judith, “Dracula in the Twilight: Mumau’s Nosferatu (1922)” in Eric Rentschler, ed., German Film and Literature: Adaptations and Transformations, New York: Methuen, 1986, pp.25-39.

609. McBride, W.T., “Dracula and Mephistopheles — Shyster Vampires”, Literature-Film Quarterly 18/2 (1990): 116-21.

610. McDonald, Beth E., “The Vampire as Trickster Figure in Bram Stoker’s Dracula”, Extrapolation 33 (1992): 128-44.

611. McDonald, Jan, “‘The Devil is Beautiful’: Dracula — Freudian Novel and Feminist Drama” in Peter Reynolds, ed., Novel Images: Literature in Performance, London: Routledge, 1993, pp.80-104.

612. McGrath, Patrick, “Suckers for Punishment”, The Sunday Times, 6 Sept 1992: 8.

613. McGuire, Karen, “The Artist as Demon in Mary Shelley, Stevenson, Walpole, Stoker and King”, Gothic [Baton Rouge] 1 (1986): 1-5.

614. McGuire, Karen, “Of Artists, Vampires and Creativity”, Studies in Weird Fiction 11 (1994): 2-4.

615. McNally, Raymond T., and Florescu, Radu, In Search of Dracula. A True History of Dracula and Vampire Legends, London: New English Library, 1973.

616. McWhir, A., “Pollution and Redemption in Dracula”, Modern Language Studies 17 (1987): 31-40

617. Miller, Elizabeth, “Dracula. The Narrative Patchwork”, Udolpho (Sept 1994): 27-30.

618. Morrison, Ronald D., “Reading Barthes and Reading Dracula: Between Work and Text”, Kentucky Philological Review 9 (1994): 23-8.

619. Murphy, Brian, “The Nightmare of the Dark: The Gothic Legacy of Count Dracula”, Odyssey 1 (1976): 9-15.

620. Muth, Jon J., Dracula. Symphonie des Grauens, ed. Georg F. Tempel, trans. Karlheinz Borchert, [Munchen]: Ehapa, 1993.

621. Nandris, Grigor, “The History of Dracula. The Theme of His Legend in the Western and Eastern Literatures of Europe”, Comparative Literature Studies 3 (1966): 367-96.

622. Nicholson, Mervyn, “Bram Stoker and C.S. Lewis: Dracula as a Source for That Hideous Strength”, Mythlore: A Journal of J.RR Tolkein, C.S. Lewis, Charles Williams, and the Genres of Myth and Fantasy 19 (1993): 16-22.

623. Naugrette, Jean-Pierre, “Discours du corps, ordre du discours: De Stevenson a Kafka”, in Brugiere, Bernard, ed., Les Figures du corps dans lalitterature et la peinture anglaises et americaines de la Renaissance a nos jours, Paris: Pubs, de la Sorbonne, 1991, pp.139-48.

624. O’Brien, Thomas F., “Re: Vampires, Again”, The Baker Street Journal: An Irregular Quarterly of Sherlockiana 37 (1987): 154-7.

625. Oinas, Felix, “East European Vampires and Dracula”, Journal of Popular Culture 16 (1982): 108-16.

626. Paris, Mark S., “From Clinic to Classroom While Uncovering the Evil Dead in Dracula: A Psychoanalytic Pedagogy”, in James M. Calahan and David B. Downing, eds., Practising Theory in Introductory College Literature, Urbana: National Council of Teachers of English, 1991, pp.47-56.

627. Perrot, Jean, “Bram Stoker, Rudyard Kipling, Oscar Wilde et la Franc-Maconnerie lyrique de l’enfant divin”, Revue des Sciences Humaines 99 (1992): 183-205.

628. Perry, Dennis R., “Whitman’s Influence on Stoker’s Dracula”, Walt Whitman Quarterly Review 3 (1986): 29-35.

629. Phillips, Robert, and Rieger, Branimir, “The Agony and the Ecstasy: A Jungian Analysis of Two Vampire Novels, Meredith Ann Pierce’s The Darkangel and Bram Stoker’s Dracula”, West Virginia University Philological Papers 31 (1986): 10-9.

630. Pick, Daniel, “‘Terrors of the Night’: Dracula and ‘degeneration’ in the late nineteenth century”, Critical Quarterly 30 (1984): 71-87.

631. Pope, Rebecca A., “Writing and Biting in Dracula”, LIT: Literature Interpretation Theory 1 (1990): 199-216.

632. Power, Albert, “Bram Stoker and the Tradition of Irish Supernatural Literature”, The Bram Stoker Society Journal 3 (1991): 3-21.

633. Pullinger, Kate, “My Hero. Kate Pullinger on Dracula”, The Independent Magazine, 24 June 1989: 54

634. Raible, Christopher Gist, “Dracula: Christian Heretic. The themes of the Dracula tale are mirror inversions or perversions of Christian truths”, Christian Century 96 (1979): 103-4.

635. Riccardo, Martin V., Vampires Unearthed: the Complete Multi-Media Vampire and Dracula Bibliography, New York: Garland, 1983.

636. Richardson, Maurice, “The Psychoanalysis of Ghost Stories”, The Twentieth Century 166 (1959): 419-31.

637. Roberts, Bette B., “Victorian Values in the Narration of Dracula”, Studies in Weird Fiction 6 (1989): 10-4.

638. Ronay, Gabriel, The Truth About Dracula, New York: Stein and Day, 1972.

639. Roth, Lane, “Dracula Meets the Zeitgeist: Nosferatu (1922) as Film Adaptation”, Literature-Film Quarterly 7 (1979): 309-13.

640. Roth, Phyllis A., “Suddenly Sexual Women in Bram Stoker’s Dracula”, Literature and Psychology 21 (1977): 113-21.

641. Roth, Phyllis A., Bram Stoker, Boston: Twayne, 1982.

642 Rottensteiner, Franz, The Fantasy Book: An Illustrated History from Dracula to Tolkein, New York: Collier, 1978.

643. Ryan, J.S., “Perilous Roads to the East, from Weathertop and through the Borgo Pass”, Minas Tirith Evening-Star: Journal of the American Tolkein Society 17 (1988): 12-4.

644 Sage, Victor, Horror Fiction in the Protestant Tradition, Basingstoke: Macmillan, 1988, pp.50-7, pp. 176-86,

645. Sage, Victor, “Gothic Laughter: Farce and Horror in Five Texts”, in Victor Sage and Allan Lloyd Smith, eds., Gothick. Origins and Innovations, Amsterdam: Rodopi, 1994, pp. 190-203.

646. Santos, Care, “La paradoja del creador: Bram Stoker”, Quimera: Revista de Literatura 117 (1993): 12-6.

647. Schaffer, Talia, “‘A Wilde Desire Took Me’: The Homoerotic History of Dracula”, ELH 61 (1994): 381-425.

648. Schmitt, Cannon, “Mother Dracula: Orientalism, Degeneration, and Anglo-Irish National Subjectivity at the Fin de Siecle”, Bucknell Review 38/1 (1994): 25-43.

649. Schroeder, Aribert, Vampirismus: Seine Entwicklung vom Thema zum Motiv, Frankfurt: Akademische Verlagsgesellschaft, 1973.

650. Seed, David, “The Narrative Method of Dracula”, Nineteenth Century Fiction 40 (1985): 61-75

651. Seltzer, Mark, “Serial Killers”, Differences: A Journal of Feminist Cultural Studies 5 (1993): 92-128.

652. Senf, Carol A., “Dracula: The Unseen Face in the Mirror”, Journal of Narrative Technique 9 (1979): 160-70.

653. Senf, Carol A., “Dracula: Stoker’s response to the New Woman”, Victorian Studies 26 (1982): 33-49.

654. Senf, Carol A., “Brides of Dracula: From Novel to Film”, Studies in Popular Culture 1 (1984): 64-71.

655. Senf, Carol A., The Vampire in Nineteenth-Century English Literature, Bowling Green, Ohio: Popular, 1988.

656. Senf, Carol A., “The Lady of the Shroud: Stoker’s Successor to Dracula”, Essays in Arts and Sciences (1990): 82-96.

657. Senf, Carol A., ed., The Critical Response to Bram Stoker (Critical Responses in Arts and Letters, number 9), Westport, Connecticut: Greenwood, 1993.

658. Shuster, Seymour, “Dracula and Surgically Induced Trauma in Children”, British Journal of Medical Psychology 46 (1973): 259-70.

659. Siegel, Mark Richard, Hugo Gernsback, Father of Modern Science Fiction: With Essays on Frank Herbert and Bram Stoker, San Bernardino, California: Borgo, 1988.

660. Skal, David J., Hollywood Gothic: The Tangled Web of Dracula from Novel to Stage to Screen, London: Andre Deutsch, 1992.

661. Smith, Malcolm, “Dracula and the Victorian Frame of Mind”, Trivium 24 (1989): 76-97.

662. Spear, Jeffrey L., “Gender and Sexual Dis-Ease in Dracula” in Lloyd Davis ed., Virginal Sexuality and Textuality in Victorian Literature, Albany: State University of New York Press, 1993, pp.179-92.

663. Spencer, Kathleen L., “Purity and Danger: Dracula, the Urban Gothic and the Late-Victorian Degeneracy Crisis”, ELH 59 (1992): 197-225.

664. Stade, George, “Dracula’s Women”, Partisan Review 53 (1986): 200-15.

665. Slade, George, “Dracula’s Women, and Why Men Love to Hate Them”, in Gerald I. Fogel, Frederick M. Lane, and Robert S. Liebert, eds., The Psychology of Men: New Psychoanalytic Perspectives, New York: Basic, 1986, pp.25-48.

666. Stein, Gerard, “«Dracula» ou la circulation du «Sans»”, Litterature 8 (1972): 84-99.

667. Stevenson, John Allen, “A Vampire in the Mirror: The Sexuality of Dracula”, PMLA 103 (1988): 139-49.

668. H Stewart, Garrett, “‘Count Me In’: Dracula, Hypnotic Participation, and the Late-Victorian Gothic of Reading”, LIT: Literature Interpretation Theory 5/1 (1994): 1-18.

669. Temple, Philip, “The Origins of Dracula”, The Times Literary Supplement number 4205 (1983): 1216.

670. Thompson, David, “Supinely Anticipating Red-Eyed Shadows: A Jungian Analysis of Bram Stoker’s Dracula”, Journal of Evolutionary Psychology 15 (1994): 289-301.

671. Todd, Janet M., “The Classic Vampire”, in Michael Klein and Gillian Parker, eds., The English Novel and the Movies, New York: Ungar, 1981, pp. 197-210.

672. Tracy, Robert, “Loving You All Ways: Vamps, Vampires, Necrophiles and Necrofilles in Nineteenth-Century Fiction”, in Regina Barreca, ed., Sex and Death in Victorian Literature, Basingstoke: Macmillan, 1990, pp.32-59.

673. Tremayne, Peter, “The Irish Dracula”, The Bram Stoker Society Journal 1 (1989): 29-31.

674. Twitchell, James B., “The Vampire Myth”, American Imago 37 (1980): 83-92.

675. Umland, Samuel J., Dracula: Notes, Including Life of the Author, General Plot Summary, Lincoln, Neb.: Cliff’s Notes, 1983.

676. Varma, Devandra P., “The Genesis of Dracula: A Re-Visit”, in Peter Underwood,ed., The Vampire’s Bedside Companion, London: Frewin, 1975.

677. Wall, Geoffrey, “‘Different from Writing’: Dracula in 1897”, Literature and History 10 (1984): 15-23.

678. Waller, Gregory A., The Living and the Undead: From Stoker’s Dracula to Romero’s Dawn of the Dead, Urbana: University of Illinois Press, 1986.

679. Walsh, Thomas P., “Dracula: Logos and Myth”, Research Studies 47 (1979): 229-37.

680. Warwick, Alexandra, “Vampires and the Empire: fears and fictions of the 1890s”, in Sally Ledger & Scott McCracken eds., Cultural Politics at the Fin de Siecle, Cambridge: Cambridge University Press, 1995, pp.203-20.

681. Wasson, Richard, “The Politics of Dracula”, English Literature in Transition 9 (1966): 24-7.

682. Weissman, Judith, “Women and Vampires: Dracula as a Victorian Novel”, Midwest Quarterly 18 (1970): 392-405.

683. Wicke, Jennifer, “Vampiric Typewriting: Dracula and its Media”, ELH 59 (1992): 467-93.

684. Williams, Anne, “Dracula: Si(g)ns of the Fathers”, Texas Studies in Literature and Language 33 (1991): 445-63.

685. Wilson, Colin, “Dracula”, in Stephen Jones and Kim Newman, eds., Horror: 100 Best Books, London: New English Library/Hodder and Stoughton, 1992, pp.71-4.

686. Wolf, Leonard, A Dream of Dracula. In Search of the Living Dead, Boston: Little Brown, 1972.

687. Wood, Robin, “Burying the Undead: The Use and Obsolescence of Count Dracula”, Mosaic 16 (1983): 175-87.

688. Zanger, Jules, “A Sympathetic Vibration: Dracula and the Jews”, ELT 34 (1991): 33-43.

689. Zeender, Marie Noelle, “Miroir de fame irlandaise: Aspects du fantastique chez LeFanu, chez Wilde et chez Stoker”, Etudes Irlandaises: Revue Frangaise d’Histoire, Civilisation et Litterature de I’lrelande 9 (1984): 67-80.

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