312. Untitled account of the “University Night” performance of Hamlet given by Henry Irving at the Theatre Royal, Dublin, on 11 Dec 1876. Written for The Dublin Mail and originally printed c.12 Dec 1876, rpt in Bram Stoker, Personal Reminiscences of Henry Irving, London: William Heinemann, 1906, 2 Vols., Vol. 1, pp.37-40.
313. “Address to Henry Irving, Esq., presented by the Graduates and Undergraduates of Trinity College, Dublin [11 Dec 1876]” rpt in Austin Brereton, Henry Irving: A Biographical Sketch, London: David Bogue, 1883, pp.55-6.
314. Henry Irving [i.e., Bram Stoker], “The American Audience”, The Fortnightly Review New Series 37 (1885): 197-201.
315. “Actor-Managers”, The Nineteenth Century 27 (June 1890): 1040-51.
316. “Dramatic Criticism”, North American Review 158 (Mar 1894): 325-31.
317. “The Art of Ellen Terry”, The Playgoer 1 (Oct 1901): 39-48.
318. “Introduction” to Hall Caine, The Deemster, London: Eveleigh Nash and Grayson, 1905, pp.v-vi.
319. “Fifty Years on the Stage. An Appreciation of Miss Ellen Terry by Bram Stoker”, The Graphic, 28 April 1906: 537.
320. “Fifty Years on the Stage. An Appreciation of Miss Ellen Terry by Bram Stoker”, rpt in The Bram Stoker Society Journal 1 (1989): 24-6.
321. “The Great White Fair in Dublin: How there has arisen on the site of the old Donnybrook Fair a great Exhibition as typical of the New Ireland as the former festival was of the Ireland of the Past”, The World’s Work “Special Irish Edition” 9 (May 1907): 570-6.
322. “The World’s Greatest Ship-Building Yard. Impressions of a Visit to Messrs. Harland and Wolffs Ship-Building Yards at Belfast”, The World’s Work “Special Irish Edition” 9 (May 1907): 647-50.
323. “Sir Arthur Conan Doyle Tells of His Career and Work, His Sentiments Towards America, and His Approaching Marriage”, The World [New York], 28 July 1907: 8.
324. “The Tendency of the Modem Stage. A Talk With Sir W.S. Gilbert on Things Theatrical”, The Daily Chronicle, 2 Jan 1908: 8.
325. “The Tendency of the Modem Stage. A Talk with Sir W.S. Gilbert on Things Theatrical”, rpt in The Bram Stoker Society Journal 3 (1991): 38-45
326. “Mr Winston Churchill talks of his Hopes, His Work, and His Ideals to Bram Stoker”, The Daily Chronicle, 15 Jan 1908: 8.
327. “Mr Winston Churchill talks of his Hopes, His Work, and His Ideals to Bram Stoker”, rpt in The Bram Stoker Society Journal 2 (1990): 38-45.
328. “Sir Arthur Conan Doyle Tells of his Work and Career”, The Daily Chronicle, 14 Feb 1908: 8.
329. “How Mr Pinero Writes Plays, Told in an Interview by Bram Stoker”, The Daily Chronicle, 15 Feb 1908: 8.
330. “The Question of a National Theatre”, The Nineteenth Century 63 (May 1908): 734-42.
331. “Mr DeMorgan’s Habits of Work. The Career of a Man Who Began to Write After He Was Sixty-Four Years Old”, The World’s Work (United States Edition) 16 (July 1908): 10337-42.
332. “The Work of William DeMorgan. An Artist, Manufacturer, and Inventor Who Began Writing Novels at the Age of Sixty-Four”, The World’s Work 12 (1908): 160-4.
333. “The Censorship of Fiction”, The Nineteenth Century and After 64 (Sept 1908): 479-87.
334. “The Censorship of Fiction” [Extract], rpt in Harold Bloom ed., Classic Horror Writers, New York: Chelsea House, 1994, pp. 154-5.
335. “Americans as Actors”, Fortnightly Review 91 (Feb 1909): 243-52.
336. “Dead-Heads”, Fortnightly Review 92 (Oct 1909): 646-58.
337. “The American ‘Tramp’ Question and the Old English Vagrancy Laws”, North American Review 190 (1909): 605-14.
338. “The Censorship of Stage Plays”, The Nineteenth Century and After 66 (Dec 1909): 974-89.
339. “Irving and Stage Lighting”, The Nineteenth Century and After 69 (May 1911): 903-12.